Some Definitions

A commercial publisher distributes books under its own imprint. It purchases manuscripts from authors, and handles the cost of producing those manuscripts: Cover and interior design, typesetting, printing, marketing, distribution, etc. The author is not expected to pay any of these costs. The books are owned by the publisher and remain in the publisher's possession until sold; the author receives a portion of sales in the form of royalties.

A subsidy publisher also distributes books under its own imprint. However, it does not purchase manuscripts; instead, it asks authors to pay for the cost of publication. With the exception of certain types of publishers such as university or scholarly presses, any publisher that requests a fee from the author is a subsidy publisher. As with commercial publishers, the books are owned by the publisher and remain in the publisher's possession; authors receive royalties.

A self-publisher is an author who pays for the cost of designing, printing, and distributing his or her book. Frequently, the author invents and registers a publishing "imprint." Self-published books are the property of the author and usually remain in the author's possession; all sales proceeds belong to the author.

A "printer" or "book producer" is a firm that works with self-publishing authors to produce professional-quality books. To confuse the issue, some printers call themselves "publishers," but are not publishers in the traditional sense of the word. Instead, they offer a range of book production services (such as design, typesetting, and printing), and may also offer marketing, distribution, warehousing and fulfillment services. ("Fulfillment" includes order processing, book shipping, and customer invoicing.)

Whether you self-publish or use a subsidy publisher, you need to know what types of services you are paying for. Be sure to ask the following questions before signing any contract:

1. Who owns the book? Subsidy houses not only charge for their design, printing, and distribution services, they also claim various rights to your book. Printers and book producers charge only for their services; all rights to your book remain with you.
   
   
2. Will I receive royalties or all sales proceeds? If the answer is "royalties," you're dealing with a subsidy house. Subsidy publishers pay authors a standard royalty of around 10-15% (which may be based on the retail price of the book or upon a discounted price). When you self-publish, you receive all sales proceeds (although this does not necessarily translate into profit).
   
   
3. Where will the books be housed? A subsidy publisher will retain all books except for a few "author copies." A printer or book producer will give you the option of storing the books yourself, or paying for warehousing. In either case, the books belong to you. (Warehousing is a good option if you are using the printer's fulfillment and shipping services.)
   
   
4. How much control do I have over the production process? With commercial and subsidy publishers, the author's input usually ends with the delivery of the manuscript. In self-publishing, you have complete creative control over the development of your product. A book producer will offer you a menu of services; you pay only for those you need. If, for example, you're experienced in desktop publishing, you might choose to design your own interior layout, but contract for an artist to handle the cover. You should be able to review and approve any suggested designs, layouts, fonts, etc.
   
   
5. Who sends books to reviewers, and who pays for it? Some subsidy publishers may ask you for a list of potential reviewers; others have their own lists. If you want additional books sent out, however, you will usually have to pay for them -- at 40% or more of the cover price of your book. If you self-publish, sending out review copies is entirely your responsibility, but since the books already belong to you, you won't pay anything "extra" for those copies.
   
   
6. Who handles marketing and advertising? In this case, regardless of whether you choose subsidy or self-publishing, the answer is "you." Subsidy publishers include "marketing" as one of the services you're paying for, but generally do little beyond placing a small "tombstone" ad in a major newspaper. It is up to you to determine what your target market is and how to reach it, and up to you to pay the costs of reaching that market. A key question to ask yourself, therefore, is whether the benefits of a marketing campaign outweigh the costs, based on whether you receive all sales proceeds or only a percentage in royalties.
   
   
7. What is the cost? Neither subsidy publishing nor self-publishing is cheap; both will cost you thousands of dollars. Subsidy publishing requires a large investment up front; self-publishing may involve a smaller initial payment (the cost of producing and printing your book), but also involves the ongoing costs of marketing, publicity, warehousing, book packaging and shipping, and so forth. Your first question, therefore, should be whether you can afford to finance your book at all; your second should be "what do I want to get for my money?"

Financing your book is never a decision to be made lightly. Unless you have money to burn, it should never be made on the basis of ego: The desire to see your name in print no matter what the cost. For those who have studied the market and developed a professional product, however, "doing it yourself" has often proven an effective (and even profitable) way to bring a good book to life.

For more information:

Morris Publishing - http://www.morrispublishing.com
Offers an extensive, free information package on self-publishing

Publisher's Marketing Association - http://www.pma-online.org
An organization for small publishers; their newsletter lists many book printers and producers

SPAN - Small Publishers of North America - http://www.SPANnet.org

ParaPublishing - http://www.parapublishing.com/
Information, books and a free newsletter on self-publishing

Copyright © 2001 Moira Allen

About the Author

Moira Allen is the editor and publisher of Writing-World.com, and the author of more than 300 articles and columns. Her books on writing include Starting Your Career as a Freelance Writer, The Writer's Guide to Queries, Pitches and Proposals, and Writing.com: Creative Internet Strategies to Advance Your Writing Career. Allen is a contributing editor (and former columnist) for The Writer and a frequent contributor to other writing publications. She has been writing and editing professionally for more than 25 years, and has also taught freelance and creative writing at several community colleges. Allen has recently launched a new travel website, TimeTravel-Britain.com.

Source: http://www.todays-woman.net